Women. Am I right?

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“This is a real phenomenon: When women feel like outsiders, they lose interest.”

I read the above quote in an article today, and it struck me dead. In the article, a science student writes about gender bias in the scientific professions, and even though I don’t know my boron from my bunsen burner, I found myself strongly relating to it.

See, the thing is, on Wednesday night I had my first go at stand-up comedy. I entered myself in RAW Comedy, where beginner comedians can compete for a spot in the Melbourne International Comedy Festival. I had never set foot onstage at a stand-up gig before, and I don’t mind telling you I was petrified. I had a lively group of friends around me, chattering and laughing and telling me I was going to be fabulous, but every now and then I would just go blank with hot white terror.

Part of my terror came, I think, from the fact that I was one of only four women competing on the night. The other 11 were, as you might imagine, men. That in itself wouldn’t have been that intimidating. After all, I’ve been performing at poetry slams and readings for years now, which are still heavily male-dominated. That wasn’t the issue. It was what the men were saying. Joke after joke about violence against women. Seriously. One guy’s punch line was actually – and I quote – “Wouldn’t it be great to know you fucked a woman to death?” Then he talked about going to her funeral and gloating, saying, “Let that be a lesson to all you other ladies”.

Yes. Let that be a lesson to us. In case we ever forget, we aren’t safe here. Comedy is not a safe space – for anyone, I suppose, but especially for women. One male comedian spent his five minutes extolling his disgust at Julia Gillard, saying she had a penis and she couldn’t arouse the most desperate of men and so on and so on. Textbook misogyny: “a-woman-can’t-be-in-power-without-losing-her-femaleness” with a dash of “if-she-can’t-get-me-off-what’s-the-point-of-her”. Not a word, of course, about her actions as Prime Minister. Another man raged against his ex-wife, calling her a “crazy bitch” at least six times before I tuned out. One young, harmless looking guy, who looked like someone your brother might play Call of Duty with, thanked all the women in the audience for setting their Facebook profiles to ‘public’ so that he could masturbate to them.

I am truly baffled when I see male comedians make demeaning jokes about women, and then chuckle: “Ha ha, all the women in the room hate me right now”. All the women in the room – that’s fifty per cent of your audience, buddy! Too many amateur comedians seem to forget that alienating women means alienating half your potential ticket-paying customers. That comedy isn’t just for the benefit of other men.

By the time it was my turn to perform next, I was feeling sick to the stomach. I waited by the sinks in the ladies’ room, staring up at the posters of upcoming comedy tours. Rows and rows of male faces grinned down at me. I smoothed down my hair, eyeing my outfit. Before I left the house that night, I had pulled a ribbon out of my hair, not wanting the audience to be distracted by my gender. Already, I was “gender priming”, having been told for years that female comedians “just aren’t as funny”.

“Even in areas where actual performance is equal, when a certain group is reminded that they are supposed to be bad at something, their performance weakens.” (S. Wofford, Feminspire)

But I did it. I told some jokes. At the end of my set, I sat down with my friends, shaking like a flippin’ leaf. I had survived. I had even gotten some laughs. I put my head down on the sticky table and tried not to gasp for air. I know public speaking is meant to be scary, but it had never really scared me up until this point. Comedy is such a different beast. You can lose the crowd so quickly. And then you’re dead.

Later that night, after seeing off my friends and dragging myself home, I felt empty. Like all the humour had been sucked out of me. My five minutes up there hadn’t been too bad, I thought, but the other comedians’ various attacks on women had shaken me. I comforted myself that the crowd had liked those jokes as little as I did, with most people shifting uncomfortably in their seats or sitting in stony silence. At least the misogyny wasn’t being openly encouraged. But I wondered. After years of going to comedy nights, I can say that jokes at the expense of women are incredibly common. They’re often aggressive and sometimes violent. Why do these comedians still think these jokes would be an awesome idea?

I found myself thinking, are these the people I want to work alongside? Is this an industry I want to join? If I’m going to have to spend years feeling like a second-class citizen, why would I bother? And then today, I found clarity, staring at me out of that science student’s article. I felt like an outsider, therefore I was losing interest. I was already thinking of opting out of my lifelong dream (my mother says that as an eight-year-old I solemnly informed her, “I want to be a stand-up comedian”) because of some dickheads with microphones. Seems to me that comedy is so male-dominated not because women aren’t as interested in comedy. Rather, I think a lot of women listen to the sexist jokes and see the other female comedians putting themselves down to get laughs, and think, “Fuck this noise”.

Well, I won’t be so easily discouraged. If I cancelled my dreams every time some idiot made me feel inferior for being a girl, I’d never have gone anywhere or done anything. I’m gonna have crack at this comedy thing. And whether I keep working at it or decide it’s not for me, I hope my decision will be based on factors other than my gender.

A poem for Kanye

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A couple of weeks ago, I was passing through Perth on some interstate travels, and a friend invited me to perform at a poetry night in Freo. I said yes! Thanks! Woo hoo! But then I began to worry: I hadn’t written too many new performance pieces since last time I was in Perth, and this crowd was likely to have heard my stuff before. The last thing you want is an audience rolling their eyes and going, “Not this one again. NEXT.”

So, I scrabbled around for some new stuff I’d written in Brisbane. One was something I wrote for my Dad for his sixtieth birthday, mainly filled with insider references that only my family would get. But I put it in my back pocket. Another was a sort of cutesy, plaintive poem about my posterior, because why not. And I decided to do The Editor’s Rap, even though it’s an oldie, because hell, it’s fun to do. But I still needed another piece, so I decided to write one.

I wrote a poem to Kanye West. Kind of a rap. More like an open letter to Yeezy. I love his music – big fan – but he gets away with saying some pretty messed-up shit about women. It was time for right of reply.

Kanye West, probably yelling about a woman.

I was particularly replying to the track ‘Devil In A New Dress‘ (from My Beautiful Dark Twisted Fantasy, 2010), and this idea of a woman being dangerous and devil-like because she “has” the “power” to arouse a man. (MEN! Quit getting mad at girls because they gave you “the feelings”. You are the masters of your destiny, the captains of your junk! I believe in you!)

So, this one’s for you, Yeezy.

So you say I’m the devil in a new dress?

Aw, you bet.

All the cash I spent just to make your pants tent.

All the cash I spent, could’ve used on my rent.

All the dress I bought so you’d know what I meant.

What I meant.

Dancin’ in my “root suit”. Riot

coz my dress says yes but I say no

and you don’t buy it.

You won’t listen

unless it’s said with fabric and stitchin’.

Couldn’t attract you by accident,

must’ve been my intention.

Little did I know, tonight, when I was getting all dressed up,

the same hand that sewed this dress was sewing

my mouth shut.

Couldn’t’ve dressed like this because it felt good, NO.

Couldn’t’ve dressed like this because it’s comfy, NO.

Couldn’t’ve dress like this for no reason, NO.

Or coz the shops all have the same damn styles every season … (Am I right, girls?)

Couldn’t attract you by accident –

this is what my dress meant –

must’ve been a plan to torture you by Satan.

Satan, Satan, Satan.

Yeah, must’ve been Satan.

Uh, go and tell it on the mountain, son,

or go and tell Kim Kardashian.

Don’t need to guess what my dress says –

this’ll help you stress less –

focus on my lips and wait ’til I say “yes”.

Don’t need to guess what my dress says –

this’ll help you stress less –

come and make a deal with the “devil in a new dress”.

Big thanks to Perth’s poetry paparazzi, Jamie MacQueen, for recording and posting the video of that performance, embedded at the top there.

Photo of Kanye West from Flickr.

Non, non, je ne regrette rien

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The theme of this week’s blog post is “regret”. Cheerful, huh? Don’t worry, I’m not going to spiral into some depressive, introspective ramble that ends with me hunched over a whiskey and sobbing the names of ex-boyfriends. “Why, Brian? Whaaay?!” (Just kidding. I’ve never dated a Brian.)

While reading the blog A Writer’s Journey (which I highly recommend for fellow writers, by the way), I came across this passage:

They say you should live without regrets, but I disagree. That mindset would drive me crazy. Opportunities pass us by, we make mistakes, and sometimes we’re just too tired to keep up. Instead of living with no regrets, I want to always be able to say to myself, “At least I did everything I could do.”

I know that I, too, have been driven crazy by the idea that I mustn’t miss any opportunities. I must seize the day! Say yes to life! Not let a chance go by! We’re all food for worms, boys! (And other exhortations from Dead Poets Society.)

It’s exhausting, isn’t it? If you always say ‘yes’ to everything, eventually you end up looking like Gollum’s partied-out cousin. Life will ravage your face. You’ll be worn out and anxious and finding glitter in your hair that you can’t explain.

Some people, it’s true, are not born participators. They could stand to move outside their comfort zone a little more often, to try new things. But that is not true for me. The biggest lesson that I keep learning and forgetting and relearning is how to say NO. As in, NO, I can’t do everything. No, I can’t be everything. I have limitations, whether I like it or not.

I suffer from a medical condition that keeps me from doing a lot of things. I know for sure that I have limitations: flippin’ doctors have told me so. Specialised medical practitioners have prescribed me a large dose of “take it easy”. Easier said than done. But I’m getting better.

Even though I still have this hysterical internal drive to DO, DO, DO all the time – to jump on every single opportunity – I am starting to get the lesson. I will do everything I can do. (I don’t know why I ignored that important little word for so long.) I am learning to step back.

So, I spent New Year’s Eve at home, by myself, trying out a new recipe for dinner. I went to bed before midnight. I AM GRANDMA.

And I regrette rien.

Five movies that are bad for girls

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For most of last year, I worked at a private boarding house for girls. I was a “housey”.

My boarders were very bright, active, educated young women who could keep any housey on her toes. When lining up for dinner, they were fierce analytical negotiators. At bedtime they were tireless prosecutors. (“But miss, you let the Year 8s stay up for Glee!”) They navigated the politics of teenage girldom with strength and canniness and a freakish understanding of their complex social web.

But when it came to Movie Night, they only wanted one thing. Stupidity. Frequent, continuous stupidity. Preferably delivered to them in a cute dress.

They wanted the stupid, vapid, often offensive films grouped under the umbrella of “rom-com”. They wanted them without exception, and they would accept no other genre.

I despaired of the boarding house’s DVD library, which contained almost exclusively films about romance (with the exception of Milo & Otis … which is really more of a bromance). In school, these girls were privy to the best academic education our state had to offer. But their education in love and relationships was informed by How To Lose A Guy In 10 Days.

So, for months, I had to watch Amanda Bynes finish every story arc with “See! It’s OK that I’m a strong woman, because look, boyfriend!”, while my brain screamed to itself.

I tried to counteract this pro-stupid bias by delivering mini-seminars at the end of each movie. “Alright girls, who could see what was wrong with that ending? Should she have risked her career so that he wouldn’t feel ’emasculated’?” My lectures were met with replies such as “Shut up” and “Miss, don’t ruin this for us”.

I watched nearly all of those movies with the girls (and quite a few in my spare time). I’m not saying I don’t enjoy watching them. I do. I really, really do. But I also watch other genres of film, and, I might point out, I have enough life experience to realise that Matthew McConaughey is not going to sweep me away on his motorcycle. Those rom-com stories are all about exceptions to the norm: weird – and therefore funny – situations. But the girls watch them uncritically, accepting them as their ideal romance. When they collectively cooed in awe as Edward decided he did, after all, want to be with Bella, after breaking her heart and abandoning her without explanation, I wanted to bash my own head in.

So, rather than bash myself (because then the rom-coms win!), I choose to word-bash these films in this blog. I choose to NAME and SHAME.

I wanted to title this list “Top Five Movies That Young Girls Shouldn’t Watch Without An Accompanying Lecture And Discussion Workshop Analysing The Oppressive Discourses At Work On Them”. But it wasn’t snappy enough. Here, instead, is my list of Five Movies That Are Bad For Girls.

5. Friends With Benefits / No Strings Attached / any film in which casual sex leads to the guy falling deeply in love with the girl

These movies are just setting girls up for a fall … and possibly herpes.

4. Pretty Woman

Prostitution leads to the guy falling deeply in love with the girl … See above.

3. 10 Things I Hate About You

Yeah, I know, BUT HEATH LEDGER! I agree. He is dreamy. And while I adore this film, the ending makes me go “But whaaaaat?” Let’s remember that Heath spends most of the film conspiring with a motley group of teenage boys to trick Julia Stiles into dating him so the other guys can swarm on her sister. Somewhere along the line, Heath actually begins to notice that Julia’s a rockin’ babe. However, he continues to accept bribes to date her, and lies to her about things like quitting smoking. Julia finds out and, hurt by his betrayal, gets mad. Really mad. (Not surprisingly.) Still the bravest person in the film, she expresses her bewilderment in a poem that rhymes really badly. Heath listens with a pained expression. With so much trust lost between them, and such a betrayal on Heath’s part, you’d think it would take something huge to– oh wait, he bought her a guitar. He bought her a guitar! Rather than do something trite and mediocre like APOLOGISE, he bought her a guitar. And when she expresses her need to rebuild trust with him, he stifles her by forcing his face onto hers. All is better! Cue grunge music!

2. The Twilight Saga: New Moon

Pointing out chauvinism in the Twilight series is like shooting fish in a barrel, so I’ll keep this brief. Bella loves Edward! Edward loves Bella! But wait, Bella’s blood makes Edward’s family want to kill her. Bella wants to work through this problem, because their relationship is important to her, but Edward knows what is good for Bella BETTER THAN SHE DOES. He dumps her, without explanation. Bella is sad! Bella sits on a sofa without moving for several months! Then she jumps off a cliff! Only solution when your boyfriend leaves you! Wait, Edward needs her! Then, ignoring safety for herself, Bella needs to help him! Edward’s back, yay! He’s chastising her for not understanding that he did it for her own good, but he’s back! All better!

1. How To Lose A Guy In 10 Days

This blog post begins and ends with Kate Hudson. I’ve probably seen this movie upwards of a dozen times. It’s like a bag of stale popcorn: if it’s in front of me, I’ll probably finish it. Yet, the ending never fails to make me mad. The set-up of this film is that Kate Hudson is bored with her job writing fluff pieces for a women’s magazine. She wants to write about politics, world events, substance! Matthew McConaughey is a jock with an overwrought torso who boasts that he could make “any woman” fall in love with him within 10 days. (What a catch!) Something something they fall in love something then they find out they’re both being played and things fall apart. Clearly, their relationship (which only began less than two weeks ago, I’ll point out) was built on shaky foundations. There is a lot of trust lost. Out of this fiasco, Kate finds the strength to quit her boring column, and leaves New York pursue her dream job. Yay Kate Hudson! But wait, who’s this driving his motorcycle recklessly through peak hour traffic? It’s your dream guy! The one who sees women as interchangeable and dated you on a bet with his boss! He’s telling you not to leave him, because he JUST REALISED he loves you, and he thinks it’s stupid for you to move to Washington for your job, because HE is in New York! “You can write anywhere!” Duh, Kate Hudson! Now he’s ordering your cab driver around and singlehandedly deciding that you’re not moving, after all. Aren’t you lucky that you have such a handsome, strangely-tanned man to make decisions for you? BLERGH.

‘Mulled Wine’ published in SpeedPoets

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Now I’m really catching up on old news. My poem ‘Mulled Wine’ was published in SpeedPoets vol. 11.7 (launched in September). SpeedPoets is a cool Brisbane publication – it’s quick, tasty and to-the-point. To-the-poetry. I am honoured to be included.

Here is the poem:

Mulled Wine

Thrown together with spices
and cinnamon sticks,
we simmer in a saucepan
on a small kitchen stove.

Mulling too long,
we’ll soon turn bitter.
This is just a drink for winter.
The cold drives us in together
and loosens up our hearts.

Warm hands and cool heads
will swirl us and stir us
and finally pour us
in a thick-bottomed glass.

Drink us now,
for winter’s soon passed.
Sip us slow; we cannot last.

Where are the women slackers?

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"I just want to watch Community in my pajamas! Damn you patriarchy!!"

“I just want to watch Community in my pajamas! Damn you patriarchy!!”

I have been enjoying the series America In Primetime on SBS for the past few weeks, but since watching it, something has stuck in my “craw” (ew).

It’s not just the deficit of female writers depicted. We get it, the patriarchy, whatever. They did a whole episode on the feminist movement as played out in American sitcoms. We’re getting there (I guess).

But then there was the whole televisual glorification of the slacker. The apathetic individuals who make an art out of doing nothing. Judd Apatow, Jerry Seinfeld, Beavis and Butt-Head, Judd Apatow. All definitely, repeatedly, male. And I thought, where are the woman slackers?

Women in primetime sitcoms are rarely slack. Even when we (our fictionalised television versions) get equal rights at work, sexual liberty, capri pants et cetera, we can’t use these newfound freedoms to spread out on the couch and eat a tub of yoghurt. Mary Tyler Moore is carving out a career, Lucy is busily fleeing Ricky, and Liz Lemon is trying to “have it all”. Sookie Stackhouse is fighting vampires, then fighting for vampires, then fighting werewolves AND vampires, all while holding down a waitressing job at Merlotte’s. Not one of these characters is wearing a Metallica t-shirt and saying “huh-huh” a lot. Not one female Butt-head!

Our only female slacker role model in American sitcom-land is Elaine Benes. Ah, Elaine. Hanging out with Jerry, George and Kramer, talking about nothing. The same thing, year in, year out. As far as I can tell, she was never too concerned with climbing the career ladder (wasn’t she kind of a butler for a while?) and she floated in and out of relationships (classic quote to on-again-off-again boyfriend Putty: “That’s it. We’re broken up for the rest of today”).

But Elaine was a slacker in a show that abounds with slackers; she is easily eclipsed by George Costanza. Easily. Even at her least ambitious, Elaine cannot compete with George’s effortless lack of effort.

The slacker is celebrated in plenty of primetime shows – The Simpsons, Seinfeld, Cheers (I mean, Norm and Cliff, come on, get out of the bar once in a while) – but he is dominantly male. Female characters are either satellites around the male characters (Marge flusters around Homer, cleaning up his messes) or they are only given independent status if they are hyper-driven, alpha-females with no time to be slobs.

I say, hey, Patriarchy, stop boxing me in. Quit hemming in my horizons. People always talk about the glass ceiling, well, what about the glass floor? Underneath my feet is a scungy basement filled with Seth Rogens and young Keanu Reeveses, enjoying a life of unabashed apathy, never questioning their right to play video games all day and eat Doritos. I can see this life: I can almost taste the cheese-flavoured dust on my fingers. But I can’t break through this floor. Society keeps urging me ever upwards, demanding ever more ambition and hard work; exhorting that I prove my gender made the right decision to agitate for the vote and equal rights. I must prove this by excelling at all aspects of my life. But what if I don’t want to be a doctor? Or a working mum? Or even working?

What if I want to be a slacker?

Equal rights, baby.

When 2 become 1 …

Posts, Transports of Delight

It’s not just a sickly sweet Spice Girls song from the ’90s. It is also what is happening to my blogs! Two are becoming one, as I am merging Transports of Delight into KaitlynPlyley.com. All the content from ToD has been added to this site, so you can have a read through all the archives from here!

But this isn’t the end of Transports of Delight. Oh, no. I will be continuing ToD as a ‘Sunday special’ on this blog. As long as weird stuff continues to happen on buses, ToD will never die.

I’d like to say a big thanks to my loyal followers and readers for sticking with me through this dry spell over the last few months. Thank you! Now that the uni semester is over, I foresee more regular blogging in my future.

Huzzah!

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This blog post from Speedpoets.com features a great poem about Ipswich. I look forward to the Speedpoets gig on this Sunday! – Kaitlyn

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With less than a week to go until the October event, it is with great excitement that I post the feature on the September Call Back Poet, Cameron Logan. Cameron’s impassioned reading of his poem IPSWICH, had the crowd hollering  and grabbed the attention of everyone in the room!

If you want to join Jo Brooks, Carmen Leigh Keates, Marisa Allen, Michael Cohen, Andrew Phillips, Chloe Callistemon & Cameron, don’t miss the gig this Sunday (October 7 @ Brew, 2:30pm – 5pm) as the final Call Back Poet for the year will be named. So bring your finest to the mic and let the words make the air swirl. Sign for the open mic starts at 2pm!

Now, over to Cameron:

IPSWICH
Pearl of cities! Depending of course on the value of the pearl in question, whether the value of the pearl is greater than or equal…

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What Is That Sound?

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I discovered something interesting on the weekend. I have a high level of emotional intelligence.

There’s a test you can take to determine this, and my Emotional Intelligence Quotient scored pretty high. I am, in fact, probably more emotionally intelligent than you. I am definitely more emotionally intelligent than my boyfriend (who also took the test) – and I will make sure he never forgets it.

In fact, I am so emotionally intelligent – so very much so – that I knew exactly how to handle an uncomfortable situation on the bus today.

The bus was trundling toward the city, and I was sitting down the front, enjoying my window seat. It was a cold, sunny day in Brisbane today – the type that’s beautiful with a cruel, glittering kind of beauty. It was warm inside the bus, so I was content. As we plunged beneath the city, into the subterranean busway, I started to hear a small noise coming from the back. It was a faint, staccato sound, repeating every few seconds. A small ftss.

Ftss.

Ftss.

I did not turn around. The sound was getting more insistent as we swung past the Queen Street Mall bus stop and up towards daylight. There it was again.

Ftss.

I supposed we had a sufferer of Tourette’s Syndrome on board. No worries – we had someone with Tourette’s in one of my lectures at uni. Once you got past the fact that someone to your left was grunting ‘Hup!’ over every third word the lecturer said, it became nothing more than lecture hall ambience.

Now the sound had gotten out of its seat and was moving towards the front of the bus, becoming more audible.

Ftss. Fksk. FKSK. FUCK’S SAKE!

The sound belonged to a smartly dressed young man with far too much gel in his hair, who evidently wanted to disembark in the city. But this bus didn’t stop in the city – it passed right through on its way to the eastern suburbs. Now Pointy Hair had realised this, and was approaching the bus driver.

As the bus cruised through the last set of traffic lights before the motorway entrance, there was a quiet conversation. It suddenly became loud.

‘I NEED TO GET OUT HERE.’

‘I CAN’T LET YOU OUT ON THE ROAD.’

‘LET ME OUT!’

The bus driver – a tough, middle-aged woman with beefy arms and an operatic voice – yanked the bus vindictively over to the kerb. She leaned on the steering wheel and glared at Pointy Hair.

‘THIS BUS DOES NOT. STOP. IN THE CITY!’

The young man was much calmer now that the bus had stopped. He tried to swipe his Go Card to tag off, but the machine hadn’t registered the stop.

He asked, ‘Could you please turn your machine on?’

‘READ THE FRONT OF THE BUS!’

Meanwhile, two other passengers stood up, the ones who were also on the wrong bus but had chosen to bear it with dignity. Now they were rushing the doors with relieved looks on their faces.

The bus driver was livid. ‘AW LOOK,’ she thundered at Pointy Hair, ‘NOW EVERYONE’S GETTING OUT!’

‘Could you please turn your machine on.’

The bus driver finally switched on the machine, and Pointy Hair and the others quickly tagged off. They exited the bus followed by the bellows of the bus driver: ‘READ THE FRONT OF THE BUS! READ THE FRONT OF THE BUS!’

As the shell-shocked survivors of her wrath scattered on the sidewalk, the bus driver threw a foul look into her rear-view mirror – as if daring any of us to ding the bell – then heaved us back onto the road. We rode onto the motorway in a silence that could’ve combusted. I kept waiting for her to shout at us like a pissed-off teacher who’s just sent the naughty kids to the principal, but still needs to vent. I was waiting for, ‘THAT’S WHY YOU ALWAYS READ THE FRONT OF THE BUS!’ But it never came. It was probably saved up for whoever was waiting for her at home, god rest their soul.

Now, because of my heightened emotional intelligence, I was able to handle this situation very well. (Clearly these EIQ tests are extremely accurate.) When presented with a highly charged atmosphere and a conflict situation, I reacted with the grace and style of someone who has aced the emotional intelligence test.

I ducked down in my seat and tried to stop the tears from coming.

Yep. Watery eyes and a trembling bottom lip. Frightened of the bus driver. That’s the mark of an emotionally superior being, right there. Boom. Take notes everyone, ‘cos this is how we do.