Twitter friend and author Chris White has invited me to take part in the #MyWritingProcess blog hop. It’s kind of the blog equivalent of a chain letter, and I get to chat to myself about writing. How it works: you get an invitation from a writer-blogger to answer four questions about your writing process, then pass the torch along by asking other writer-bloggers to answer four questions about themselves. I’m looking forward to peeking into the lives of other writers and hopefully finding out that they, too, make death noises into the keyboard.
I’ve been given the chance to participate by Chris White, whose work spans, among others, two of my favourite genres: magical realism and science fiction. He blogs at chriswhitewrites, and you should definitely check out his tweets because he curates a pretty great Twitter feed. I always learn stuff.
OK. On to my answers to the blog hop questions:
1. What are you working on at the moment?
I’m writing my next solo show, the format of which is inspired by the lecture as performance. I’m a big fan of TED Talks and the like; I’ve seen a few comedy and poetry performances that used slides as props to great effect. I’m still in the early stages of the concept, but I’ve found that applying for grants to develop the show has really helped me focus my ideas. Limitations usually help me be more creative, so if I have to create the work by a deadline or fit it to specifications (i.e. touring on a budget, justifying it to funding panels) it is easier to put my head down and write.
2. How do you think your work differs from that of other writers in your genre?
Hmm, this is a tough question, mostly because I’m not sure what my genre is. I mostly write for performance, sometimes page poetry, and very infrequently opinion articles. I guess my work differs from that of other writers in my genre(s) because my collection of interests is going to be different to theirs. I admire the scientific process, reason, and logic; I try to employ them when I’m writing a poem. (I use my work to explore social and political issues; it’s my way of trying to figure out the world. It’s important to me that I can justify each choice I make in my poetry.) When I’m trying to put a feeling into words, I pretend I’m a forensic scientist looking for the most accurate words (I wanted to be a scientist or a poet when I grew up, so this is a nice compromise). I’ve definitely stopped performing some poems because new information showed me that their internal logic wasn’t sound. Got to make sure all the ideas add up.
3. Why do you write what you do?
Because I can’t write anything else? Haha. Through a process of elimination, I have found that writing poetry suits: (a) my perfectionist fear of lengthy projects (novels are my Everest); (b) my passion for language and aesthetics; and (c) my love for an audience. I’ve found that performing poetry suspends the audience’s reality for a while and they’ll let me get away with heaps more earnest flights of fancy than if I was telling a joke or a story.
I write opinion when I can, because getting paid for my opinions is pretty much 15-year-old-me’s dream job, and damn, I owe her a lot (she discovered Harry Potter for us).
4. What’s your writing process, and how does it work?
I’ve been writing and dating all my writing/ideas in journals since I was 10. I often write down ideas for conceits, or a few lines, to go back to them later. They usually marinate in my journal for a few months, maybe a couple years. Then I go back to them and smash out the rest. The super-personal stuff takes the longest to marinate. I get out all the self-indulgent, cliched stuff in my journal, then rewrite it with fresh eyes. Edit, edit, edit. When I think I’ve got the shape of the thing, it goes into a Word doc on my computer for more editing.
I started writing for theatre last year, and that process has required more formal organisation. I’ve started using Scrivener. After I’ve thought of a show idea, I spend a few months pumping research and thoughts into a Scriv doc, setting myself inquiry questions. I do a lot of background reading. I think of my solo shows as research projects, and the final work is my thesis … Except, the kind of thesis where I don’t have to show any of my research. And I can be totally subjective. And I can revise it every time I perform. OK so they’re the funnest research projects in the world.
That’s it for my blog post! Thanks for sitting through me nerding out about my own writing, haha. Next week, please check out the ruminations of these fine writer-bloggers …
1. Kate Wilson
Kate Wilson lives in Bunbury, Western Australia, where she writes and performs poetry that’s designed to entertain and inspire. Kate started writing poetry at the age of 7 while sitting on her garage roof. At the end of her Speech and Drama studies in 2008, Kate entered and won her first poetry slam, and has kept writing and performing ever since. Kate has appeared at dozens of events and festivals in WA, sharing her words and teaching poetry, voice and performance workshops.
2. Zenobia Frost
Zenobia Frost is a Brisbane-based writer and editor whose debut poetry collection, The Voyage, was released in 2009. Her work has been published in The Guardian Australia, Southerly, The Lifted Brow, Overland, Going Down Swinging, Voiceworks and QWeekend Magazine. She is fond of graveyards, incisive verse, theatre and tea.