Women. Am I right?

Posts, Selected Posts

“This is a real phenomenon: When women feel like outsiders, they lose interest.”

I read the above quote in an article today, and it struck me dead. In the article, a science student writes about gender bias in the scientific professions, and even though I don’t know my boron from my bunsen burner, I found myself strongly relating to it.

See, the thing is, on Wednesday night I had my first go at stand-up comedy. I entered myself in RAW Comedy, where beginner comedians can compete for a spot in the Melbourne International Comedy Festival. I had never set foot onstage at a stand-up gig before, and I don’t mind telling you I was petrified. I had a lively group of friends around me, chattering and laughing and telling me I was going to be fabulous, but every now and then I would just go blank with hot white terror.

Part of my terror came, I think, from the fact that I was one of only four women competing on the night. The other 11 were, as you might imagine, men. That in itself wouldn’t have been that intimidating. After all, I’ve been performing at poetry slams and readings for years now, which are still heavily male-dominated. That wasn’t the issue. It was what the men were saying. Joke after joke about violence against women. Seriously. One guy’s punch line was actually – and I quote – “Wouldn’t it be great to know you fucked a woman to death?” Then he talked about going to her funeral and gloating, saying, “Let that be a lesson to all you other ladies”.

Yes. Let that be a lesson to us. In case we ever forget, we aren’t safe here. Comedy is not a safe space – for anyone, I suppose, but especially for women. One male comedian spent his five minutes extolling his disgust at Julia Gillard, saying she had a penis and she couldn’t arouse the most desperate of men and so on and so on. Textbook misogyny: “a-woman-can’t-be-in-power-without-losing-her-femaleness” with a dash of “if-she-can’t-get-me-off-what’s-the-point-of-her”. Not a word, of course, about her actions as Prime Minister. Another man raged against his ex-wife, calling her a “crazy bitch” at least six times before I tuned out. One young, harmless looking guy, who looked like someone your brother might play Call of Duty with, thanked all the women in the audience for setting their Facebook profiles to ‘public’ so that he could masturbate to them.

I am truly baffled when I see male comedians make demeaning jokes about women, and then chuckle: “Ha ha, all the women in the room hate me right now”. All the women in the room – that’s fifty per cent of your audience, buddy! Too many amateur comedians seem to forget that alienating women means alienating half your potential ticket-paying customers. That comedy isn’t just for the benefit of other men.

By the time it was my turn to perform next, I was feeling sick to the stomach. I waited by the sinks in the ladies’ room, staring up at the posters of upcoming comedy tours. Rows and rows of male faces grinned down at me. I smoothed down my hair, eyeing my outfit. Before I left the house that night, I had pulled a ribbon out of my hair, not wanting the audience to be distracted by my gender. Already, I was “gender priming”, having been told for years that female comedians “just aren’t as funny”.

“Even in areas where actual performance is equal, when a certain group is reminded that they are supposed to be bad at something, their performance weakens.” (S. Wofford, Feminspire)

But I did it. I told some jokes. At the end of my set, I sat down with my friends, shaking like a flippin’ leaf. I had survived. I had even gotten some laughs. I put my head down on the sticky table and tried not to gasp for air. I know public speaking is meant to be scary, but it had never really scared me up until this point. Comedy is such a different beast. You can lose the crowd so quickly. And then you’re dead.

Later that night, after seeing off my friends and dragging myself home, I felt empty. Like all the humour had been sucked out of me. My five minutes up there hadn’t been too bad, I thought, but the other comedians’ various attacks on women had shaken me. I comforted myself that the crowd had liked those jokes as little as I did, with most people shifting uncomfortably in their seats or sitting in stony silence. At least the misogyny wasn’t being openly encouraged. But I wondered. After years of going to comedy nights, I can say that jokes at the expense of women are incredibly common. They’re often aggressive and sometimes violent. Why do these comedians still think these jokes would be an awesome idea?

I found myself thinking, are these the people I want to work alongside? Is this an industry I want to join? If I’m going to have to spend years feeling like a second-class citizen, why would I bother? And then today, I found clarity, staring at me out of that science student’s article. I felt like an outsider, therefore I was losing interest. I was already thinking of opting out of my lifelong dream (my mother says that as an eight-year-old I solemnly informed her, “I want to be a stand-up comedian”) because of some dickheads with microphones. Seems to me that comedy is so male-dominated not because women aren’t as interested in comedy. Rather, I think a lot of women listen to the sexist jokes and see the other female comedians putting themselves down to get laughs, and think, “Fuck this noise”.

Well, I won’t be so easily discouraged. If I cancelled my dreams every time some idiot made me feel inferior for being a girl, I’d never have gone anywhere or done anything. I’m gonna have crack at this comedy thing. And whether I keep working at it or decide it’s not for me, I hope my decision will be based on factors other than my gender.

A poem for Kanye

Posts

A couple of weeks ago, I was passing through Perth on some interstate travels, and a friend invited me to perform at a poetry night in Freo. I said yes! Thanks! Woo hoo! But then I began to worry: I hadn’t written too many new performance pieces since last time I was in Perth, and this crowd was likely to have heard my stuff before. The last thing you want is an audience rolling their eyes and going, “Not this one again. NEXT.”

So, I scrabbled around for some new stuff I’d written in Brisbane. One was something I wrote for my Dad for his sixtieth birthday, mainly filled with insider references that only my family would get. But I put it in my back pocket. Another was a sort of cutesy, plaintive poem about my posterior, because why not. And I decided to do The Editor’s Rap, even though it’s an oldie, because hell, it’s fun to do. But I still needed another piece, so I decided to write one.

I wrote a poem to Kanye West. Kind of a rap. More like an open letter to Yeezy. I love his music – big fan – but he gets away with saying some pretty messed-up shit about women. It was time for right of reply.

Kanye West, probably yelling about a woman.

I was particularly replying to the track ‘Devil In A New Dress‘ (from My Beautiful Dark Twisted Fantasy, 2010), and this idea of a woman being dangerous and devil-like because she “has” the “power” to arouse a man. (MEN! Quit getting mad at girls because they gave you “the feelings”. You are the masters of your destiny, the captains of your junk! I believe in you!)

So, this one’s for you, Yeezy.

So you say I’m the devil in a new dress?

Aw, you bet.

All the cash I spent just to make your pants tent.

All the cash I spent, could’ve used on my rent.

All the dress I bought so you’d know what I meant.

What I meant.

Dancin’ in my “root suit”. Riot

coz my dress says yes but I say no

and you don’t buy it.

You won’t listen

unless it’s said with fabric and stitchin’.

Couldn’t attract you by accident,

must’ve been my intention.

Little did I know, tonight, when I was getting all dressed up,

the same hand that sewed this dress was sewing

my mouth shut.

Couldn’t’ve dressed like this because it felt good, NO.

Couldn’t’ve dressed like this because it’s comfy, NO.

Couldn’t’ve dress like this for no reason, NO.

Or coz the shops all have the same damn styles every season … (Am I right, girls?)

Couldn’t attract you by accident –

this is what my dress meant –

must’ve been a plan to torture you by Satan.

Satan, Satan, Satan.

Yeah, must’ve been Satan.

Uh, go and tell it on the mountain, son,

or go and tell Kim Kardashian.

Don’t need to guess what my dress says –

this’ll help you stress less –

focus on my lips and wait ’til I say “yes”.

Don’t need to guess what my dress says –

this’ll help you stress less –

come and make a deal with the “devil in a new dress”.

Big thanks to Perth’s poetry paparazzi, Jamie MacQueen, for recording and posting the video of that performance, embedded at the top there.

Photo of Kanye West from Flickr.

Where are the women slackers?

Posts
"I just want to watch Community in my pajamas! Damn you patriarchy!!"

“I just want to watch Community in my pajamas! Damn you patriarchy!!”

I have been enjoying the series America In Primetime on SBS for the past few weeks, but since watching it, something has stuck in my “craw” (ew).

It’s not just the deficit of female writers depicted. We get it, the patriarchy, whatever. They did a whole episode on the feminist movement as played out in American sitcoms. We’re getting there (I guess).

But then there was the whole televisual glorification of the slacker. The apathetic individuals who make an art out of doing nothing. Judd Apatow, Jerry Seinfeld, Beavis and Butt-Head, Judd Apatow. All definitely, repeatedly, male. And I thought, where are the woman slackers?

Women in primetime sitcoms are rarely slack. Even when we (our fictionalised television versions) get equal rights at work, sexual liberty, capri pants et cetera, we can’t use these newfound freedoms to spread out on the couch and eat a tub of yoghurt. Mary Tyler Moore is carving out a career, Lucy is busily fleeing Ricky, and Liz Lemon is trying to “have it all”. Sookie Stackhouse is fighting vampires, then fighting for vampires, then fighting werewolves AND vampires, all while holding down a waitressing job at Merlotte’s. Not one of these characters is wearing a Metallica t-shirt and saying “huh-huh” a lot. Not one female Butt-head!

Our only female slacker role model in American sitcom-land is Elaine Benes. Ah, Elaine. Hanging out with Jerry, George and Kramer, talking about nothing. The same thing, year in, year out. As far as I can tell, she was never too concerned with climbing the career ladder (wasn’t she kind of a butler for a while?) and she floated in and out of relationships (classic quote to on-again-off-again boyfriend Putty: “That’s it. We’re broken up for the rest of today”).

But Elaine was a slacker in a show that abounds with slackers; she is easily eclipsed by George Costanza. Easily. Even at her least ambitious, Elaine cannot compete with George’s effortless lack of effort.

The slacker is celebrated in plenty of primetime shows – The Simpsons, Seinfeld, Cheers (I mean, Norm and Cliff, come on, get out of the bar once in a while) – but he is dominantly male. Female characters are either satellites around the male characters (Marge flusters around Homer, cleaning up his messes) or they are only given independent status if they are hyper-driven, alpha-females with no time to be slobs.

I say, hey, Patriarchy, stop boxing me in. Quit hemming in my horizons. People always talk about the glass ceiling, well, what about the glass floor? Underneath my feet is a scungy basement filled with Seth Rogens and young Keanu Reeveses, enjoying a life of unabashed apathy, never questioning their right to play video games all day and eat Doritos. I can see this life: I can almost taste the cheese-flavoured dust on my fingers. But I can’t break through this floor. Society keeps urging me ever upwards, demanding ever more ambition and hard work; exhorting that I prove my gender made the right decision to agitate for the vote and equal rights. I must prove this by excelling at all aspects of my life. But what if I don’t want to be a doctor? Or a working mum? Or even working?

What if I want to be a slacker?

Equal rights, baby.