White feminism’s problem with ‘positive thinking’


This essay was first published in 2018 as ‘You can’t “positive-think” your way out of disadvantage’ in Hot Chicks With Big Brains: Issue #6. It was published under my previous name Kaitlyn Plyley and edited by Bri Lee.

Black-and-white photograph of five women wearing white Victorian-era dresses, hats and rosettes, walking in a protest march while holding a banner that says “NEW YORK CITY WOMEN HAVE NO VOTE AT ALL”.
Women’s suffrage march. | Photographer: Bettmann (CC BY-NC-SA 4.0).

Having just heard my account of how my ex-boyfriend psychologically tormented me for years, the woman in front of me congratulated herself on having chosen a ‘good’ boyfriend — she’d “just known” when she met him that he would never hurt her. I pointed out that I’d felt that way about my ex, which had made the abuse all the more traumatic, like I couldn’t trust my own intuition. The friend dismissed this and said of my ex, “Anyone could tell he had issues.”

As a disabled woman, I encounter this dismissive attitude from many sources (for example when religious people say I just need to “pray for a cure” or when men tell me I misread sexism into a situation) but what shocked me about the exchange is that this woman identified as a feminist. We’d actually met through feminist activist circles. Her insinuation that I’d somehow invited abuse by not predicting my ex’s behaviour was textbook victim-blaming. How was I getting this from a young secular progressive?

Thought-as-power is the theory that human thoughts have creative power; negative thoughts can attract negative experiences and positive thoughts attract beneficial experiences.. It’s the idea behind everything from vision boards and any Instagram hashtag ending in “–spo” to Pentecostal Christian tithing and psychologists advising patients with depression to “think happy”. “Pos vibes only” has its roots in a mostly-forgotten movement from the end of the nineteenth century: New Thought. In Victorian-era America, word spread of a new ‘science’ that could cure a man’s fractured leg without touching it. The patient merely needed to be taught to believe that his leg was healed. With the invention of electricity and the telephone bringing science fiction into reality, esoteric healing through thought seemed plausible.

Historian Beryl Satter wrote that the New Thought movement “both drew upon and deeply influenced the ideas of woman movement leaders, early progressive reformers, and turn-of-the-century neurologists and physicians”. One of New Thought’s earliest leaders, Mary Baker Eddy, founded Christian Science, which holds that “sickness and sin” are illusions that can be overcome by a spiritual mind. I had assumed positive thinking was an incidental symptom of capitalism — internalised neo-liberalism — something that crept into feminism from entrepreneurial motivational posters. But Satter points out, “[t]he majority of late-nineteenth-century New Thought authors, healers, teachers, patients, and congregants were white middle-class women.” Many followers of New Thought (including suffragettes) felt that they were on the cusp of a new ‘woman’s era’, one which would be marked by the supposed peace and gentility of the ‘feminine’ spirit.

Researching this, I am reminded of scenes from the historic 2017 Women’s Marches — excited white, middle-class women wearing pussy hats and proclaiming “the future is female”. There was a tenor I recognised from years of International Women’s Day breakfast speeches and white feminist manifestos: the vague assertions that once women are in more positions of authority, ‘things’ will ‘change’. White woman politicians and wealthy famous white women take the stage to celebrate the ‘power’ of womanhood, usually erasing transgender, gender non-conforming, and non-binary people. It’s only a very specific type of woman that Victorians believed would elevate humankind: white, middle-class, cisgender women.

In the late nineteenth century, rather than working to liberate all bodies, the progressive struggle was mainly over who was the human ideal: white middle-class men or white middle-class women. People of colour and working-class white people didn’t really get a look-in. With white, middle-class people being the dominant demographic in the UK, USA and Australia, it’s no surprise that this is the version of feminism that has dominated general knowledge. It’s critical we remember the classist and racist history of thought-as-power, to remember that the leaders most fervently proclaiming that structural barriers didn’t exist were the ones experiencing the fewest.

Feminist women who victim-blame are just reassuring themselves that they have control over their lives and can avoid misogyny through their own superior mental acuity.

A New Thought attitude can breed a disdain for people who haven’t manifested awesome destinies. Minister For Foreign Affairs Julie Bishop stated to a Women In Media group in 2014 that she did not acknowledge a ‘glass ceiling’ in her work, and further commented that gender had not played a role in how former Prime Minister Julia Gillard had been treated. “She turned herself into a victim,” Bishop told the room. She turned herself into a victim. By adopting a mindset of victimhood, goes the argument, Gillard had invented sexism where there was only a fair society waiting to receive meritorious women.

It can be useful to envision the sort of world you want to live in, so that you are better equipped to recognise when it is drawing nearer or slipping away. But at its extreme, ‘positive thinking’ requires you to deny the evidence of your senses and the testimony of others. When you encounter someone whose experience doesn’t tally with your vision of a ‘positive’ world, you might deny their reality by attributing their struggles to a ‘failure’ to manifest that positivity for themselves.

Feminist women who victim-blame are just reassuring themselves that they have control over their lives and can avoid misogyny through their own superior mental acuity. This is the only way I can explain how a woman who identifies as feminist and makes feminism central to her work could dismiss my account of psychological abuse by a man with the implication that it was my own fault. No one can be safe within a patriarchal society. Rather than convince each individual to ‘positive-think’ themselves into a more acceptable body — thin, healthy, white, with no history of trauma, conforming to the gender binary — I believe that any progressive movement seeking to make ethical change should rather develop a framework in which all bodies (and their experiences) can be accepted as ‘real’.


A walk through England’s plague village

Posts, Selected Posts

This essay was first published on Medium, 6 July 2020.

A photo of Kaitlyn (tall white woman) standing between a red telephone booth and a red post box, her hand resting on the top of the post box. She's wearing a long brown coat with a fur-trimmed hood, a scarf tucked into her coat, black trousers, tall brown boots, and a grey tweed cap. It's a wet day. In the background you can see the Eyam Tea Rooms sign.
The author in 2008, grinning next to a red English phone box and a red English post box, around the corner from Eyam Tea Rooms. Yes, I’m wearing a tweed cap. | © Kaitlyn Blythe 2008


I’d never heard of Eyam before I visited Derbyshire one late autumn, glorying in the russet, gold and green of the changing trees by the River Derwent. I was driven around by a friend, a Derby local who’d grown up sledding down those hills when they were covered in snow. I was only in northern England for one day so she was trying to show me as much as possible. After we’d seen Chatsworth House (at my insistence — it was Pemberley in 2005’s Pride & Prejudice!), my friend showed me the rest of the local sights.

It turned out Derbyshire’s tourist attractions were a bit less Mr Darcy and a bit more grimdark. As we tootled along tiny leafy lanes in her car, my friend pointed out a seemingly average cliff above us: “That’s Lover’s Leap.” A romantic name. She continued casually that it was notable because in Georgian times people would try to die by jumping off there. Oh. We drove on to our next stop, which I was informed was “lunch at the plague village”.

Eyam is a cute place — I’m sorry to the descendants of tough grizzled lead miners, but it’s so cute — nestled in rolling green hills, rustling trees and pale stone walls. It could literally be the village from Untitled Goose Game. You’d expect to see a groundskeeper in a flat cap chasing a horrible goose who’d stolen his prize tulip. It was jarring, then, to see on the side of the cottages lists of names, families who had died there. The village is pocked with green plaques reminding passers-by of the sacrifices that were made.


During the summer of 1665, a London merchant sent a package of cloth samples to Eyam’s tailor. Within weeks, everyone in the tailor’s household had sickened and died. 1665 was the year of London’s Great Plague, when the Black Death wiped out a fifth of the city’s population. We now call it the bubonic plague, and we know more about what causes it and how it is transmitted. The cloth sample probably had infected fleas from London folded into its layers, carrying the disease. 1600s England did not have the benefit of this knowledge. Eyam’s residents were not sure how, but they knew a deadly contagious affliction had come to their village.

A two-storey stone cottage with white square windows and grassy front yard. A large green plaque with white writing on it says “PLAGUE COTTAGE”.
A plague cottage in Eyam. | © Kaitlyn Blythe 2008

Eyam famously agreed to quarantine themselves to prevent any further spread of the infection. By the time their outbreak was over, almost a third of the village’s population had died. Families were wiped out. After the stonemason passed away, people had to engrave their own headstones. One villager, Elizabeth Hancock, lost her six children and husband within one week. There was no one left to help her bury them. She would have tied rope around their feet, to avoid contact with the infectious bodies, and dragged her family members one by one to a nearby field, digging the graves herself.

Eyam is embedded in myth for its 17th-century sacrifice. Its border stones — set up in a perimeter about half a mile out from the village — are now a tourist attraction. A detail that stayed with me years after my stroll through the village’s history was the holes in the stones, and the vinegar. During the quarantine, Eyam residents had relied on food parcels delivered by people from surrounding villages, who would drop the packages at the border stones. In return, the quarantined would leave coins soaked in vinegar, which they believed to be a disinfectant, in holes bored into the stones. Somehow, amid the stories of horrific death, it was the leaving of the disinfected coins that stuck with me the most — the payment for what should have been charity, and the attempt to protect their benefactors from contamination.

Eyam was in lockdown for fourteen months. For over a year, they had no crops from their farms and no income from mining work. Without outside help, those who survived the plague would have died of starvation. It’s possible that Eyam’s neighbours didn’t have purely selfless motives for leaving parcels of meat and grains; they presumedly did not want starving plague carriers escaping the village in desperate search of food. There is a story of a woman leaving Eyam to travel to the nearby village of Tideswell, and being met with ire once people realised where she was from. The Tideswell residents “pelted her with food and mud, shouting “The Plague! The Plague!””, wrote Eleanor Ross for the BBC. You could take a cynical view that Eyam’s and their neighbours’ actions were purely driven by selfish motives: Eyam feared retribution and their neighbours feared their contagion. If the coins hadn’t appeared at the border stones, maybe the food parcels would have stopped coming. But the vinegar, to me, speaks of Eyam’s higher goal: to protect. To contain the infection. Fearful Tideswell merchants could have sanitised the money themselves once they’d received it, but the boundary stone exchanges tell a more wholesome story: of an understanding that their fates were interconnected and equally important.

Eyam’s quarantine measure was not imposed by a militarised force or guarding presence; it was achieved by a public health leader (Mompesson) allying with respected community leaders to explain the situation and gain social acceptance.

While there were external inducements to stay inside their boundary, Eyam’s quarantine was by all accounts a group choice. BBC’s Eleanor Ross wrote, “Although some villagers tried to leave, it appears that most of Eyam’s townsfolk stoically accepted their plight and made a pact with God to remain.” It was newly arrived rector William Mompesson who identified the necessity for quarantine. However, he could not convince the village on his own, being so new to his post. In an “uneasy alliance” with the very man he’d replaced, his ousted predecessor Thomas Stanley, Mompesson was able to convince the village that they had a duty to prevent spread of the disease, accepting a high death toll for themselves in the process. This didn’t occur as soon as the plague hit Eyam — they had a season of sickness, then a month-long lull in plague-related deaths. It was what we would now call “the second wave” that spurred Mompesson into action, as local Eyam historian Francine Clifford explains:

“It was June [1666] and the deaths started to go up again … It was then William Mompesson realised that it was going to get a heck of a lot worse before it got better. He knew if he didn’t stop people leaving the village in panic, it would spread to the villages and the towns. If it got to Sheffield or Manchester, it would be back to the London proportions.”

Eyam’s quarantine measure was not imposed by a militarised force or guarding presence; it was achieved by a public health leader (Mompesson) allying with respected community leaders to explain the situation and gain social acceptance. The rector did use his privileged position to send his children away before the village locked down, but he also stayed and faced the same fate as the people he’d guided into quarantine. (Mompesson lost his wife to the plague during the lockdown.) The boundary stones were markers that any person with the ability to could have walked past. But the villagers didn’t. They stayed in place, listening to the death groans of their neighbours and knowing they could be next, only walking out to the boundary stones to leave coins soaked in vinegar.


I can’t help but think of that vinegar while I soap down my groceries. I’ve been in self-imposed (at first, then later government-mandated) quarantine in my apartment for about four months. So far, nothing on Eyam’s fourteen-month stint, but it’s anyone’s guess how long these measures will be necessary. I self-isolate out of fear for my health, but also out of fear of unknowingly transmitting COVID-19. I need grocery deliveries to survive, but I regularly ask myself if it’s ethical to sequester in safety while demanding that delivery drivers put themselves at risk. At least we have online payment so there is no need to touch money. I tell myself that, if it came to it, I would soak coins in vinegar (or rather, isopropyl) for those drivers. I wonder if I would have had the strength to stay in Eyam.

While we shelter from this coronavirus (in my case, in Melbourne, where people are already returning to public life despite no halt in infections), it’s tempting to think of this as a brief anomaly in our lives that will soon be crushed by the might of modern medicine. Like the Black Death that plagued Eyam in the 1600s, this will also disappear eventually, right? Well, in researching this essay, I was met with a gruesome surprise: the plague never fucking went away. The disease known historically as the Black Death (more scientifically as a bacillus named Yersinia pestis) is still killing people. It still infects 1,000–3,000 people worldwide every year. In 2017, Madagascar’s Ministry of Health reported 2,348 new cases of the plague to the World Health Organisation. Tests found Yersinia pestis, the same plague that, in the 14th century, wiped out a quarter of the world’s population. The same bacteria that plagued London and Eyam in the 17th century. In fact, as I publish this, a new outbreak is being reported in Inner Mongolia. Most patients survive now, thanks to antibiotics and better sanitation, but people still die of the plague.

When I was a kid in history class, we were taught about the Black Death as a historical anomaly, spread by rats in gross medieval conditions. Then it was updated that we’d blamed the rats a little too hastily — it was actually the fleas riding on the rats. Now, due to newer evidence excavated in the past decade from an old English plague cemetery, scientists believe that the disease had to have been airborne to have spread so rapidly. (Most likely helped along by the fleas and the rats, so they’re not entirely off the hook.) The plague takes three forms: bubonic (the most common form, with the tell-tale buboes), pneumonic (transmitted through airborne particles, and the most infectious), and septicemic (infecting the bloodstream). This information, added to the fact that I’m now living through a new pandemic, has given me greater empathy for terrified, confused medieval villagers. They had no idea what the plague was or how it was spreading. Spirits? Acts of God? Medieval doctors thought the plague was caused by corrupt air, and since the Black Death was at least partially airborne, this is as close as you’re going to get to a modern understanding of contagion for a society that hadn’t heard of germs.

Apparently some medieval Christians would kill cats, thinking this would prevent the Black Death because cats brought the Devil in with them. Their reasoning was superstitious, but we know now that animals can transmit the plague, so breathing in airborne droplets from a cat’s breath could indeed have infected people in the Middle Ages. They actually weren’t that far off, it turns out. In current-day United States, Yersinia pestis is common among mice, squirrels and other wildlife. Colorado residents are often warned about plague outbreaks in local prairie dog colonies. In May 2019, a couple died of the bubonic plague after eating infected marmot meat from the Denver area. The plague wasn’t even brought to North America until 1900, on rat-infested steamships — the same year it hit the shores of Sydney, Australia, via shipping trade, leading to the municipal response of killing an estimated 44,000 rats. Australia then saw 12 outbreaks of the plague over the next 25 years. So, rats do actually have a lot to answer for.

Whatever its precise cause of transmission, the Black Death has been infecting humanity (and other species) for thousands of years. For several centuries it resurfaced as an epidemic every few generations. It never died out — just diminished and became a part of human life. We developed antibiotics and better hygiene practices, minimising the disease’s harm. But the plague still survives and spreads, taking two new continents as recently as a century ago. And there I was walking through the village of Eyam in 2008, comfortably thinking the Black Death was from a very different and faraway time.

Viral epidemics are not left behind in our past (as we now know too well), nor are the self-sacrifices of villages locking down to prevent further spread. Reflecting on Eyam’s history in the context of the COVID-19 virus, The Telegraph (UK) writer Joe Shute remembered the bravery of West African villagers in the face of the Ebola virus:

“In late 2014, I visited Liberia during the height of the worst Ebola outbreak in history which ravaged West Africa, claiming more than 11,000 lives. As well as the capital, Monrovia — placed on lockdown like cities in China — I visited villages where whole families had quarantined themselves in their homes to protect the wider community, and one by one were gradually succumbing.”

Eyam’s official website says of its history, “The action of the villagers in staying in the village is almost unique and makes the village the place of significance that it is.” In 1665 England, the Eyam residents’ foresight and courage was remarkable, and arguably what prevented the country’s northern regions from seeing the same devastating scenes happening in London at the time. At the height of Ebola, West African communities saw the same incredible bravery, only six years ago.

On 15 March 2020, three days into the current coronavirus pandemic, The Guardian wrote, “Eyam’s story remains a powerful example not only of how diseases are transmitted — then as now via trade routes and centres — but also of how successful social immobilisation can contain outbreaks.” Social immobilisation remains one of the few tools humanity has against viral epidemics. Quarantine may have been what finally slowed down the Black Death in Europe. Stopping a pandemic is a community effort — if one person had broken Eyam’s pact and transmitted the plague outside the village bounds, the Black Death could have claimed thousands more lives. They were protecting the north, like fantastical watchmen on a giant ice wall. Except the story of their heroism contains no dragons or aristocracy, only exhausted villagers watching their loved ones sicken and die around them.

When I visited Eyam, I was twenty-two years old. I had three worst fears: that the severe neurological illness I experienced in my teens would return; that there would be some kind of global apocalypse; and that I would lose my family. I am now thirty-four. The neurological disease I’d feared returned a few months after I walked through Eyam; perhaps it was already growing in my body while I shivered at stories of historic sickness and death. I’ve been disabled and chronically ill since. And, while perhaps not quite final enough to be apocalyptic, the Global Financial Crisis hit weeks after I learned about those vinegar-soaked coins. Main streets shuttered while stock markets crashed. Autumn of 2008 turned out to be maybe the last time I was even a little bit carefree. As for family — a little over a year ago, I watched my father die a painful, drawn-out death after years of surgeries, radiation and chemo. The rest of my family: estranged. So, not to be too dramatic, but it sort of seems like my worst fears came true. I’m frankly astonished to still be here. Life since I walked through Eyam has felt regularly world-ending.

This year we are facing loss on a global scale. Most crucially, loss of life — but also loss of health. Loss of family. Loss of prospects. Loss of stability. Loss of safety. It might feel like your world is shrinking to fit inside suffocating walls. In May, the World Health Organisation (WHO)’s emergencies director Dr Mike Ryan said: “[T]his virus may become just another endemic virus in our communities, and this virus may never go away … HIV has not gone away — but we have to come to terms with the virus.” In the same video conference, WHO epidemiologist Maria van Kerkhove advised, “We need to get into the mindset that it is going to take some time to come out of this pandemic.” COVID-19 is here now and we have to change to accommodate it. There may never be a vaccine. The Black Death didn’t go away with a vaccine — it actually never went away at all — but it was controlled with changes in lifestyle, rapid diagnosis and administering of antibiotics, and careful monitoring of outbreaks. It doesn’t wipe out a quarter of the world’s population anymore (although I feel like I’m tempting fate by saying that). As I write this, global COVID-19 cases have exceeded 11 million, and the pandemic has killed half a million people (that’s confirmed cases; the numbers could be much higher). The loss is overwhelming. There has never been a coronavirus pandemic before, and there is so much we don’t know about this virus or how it transmits; COVID-19 was only discovered six months ago. I still feel like a 1665 European: bewildered, terrified, not sure whether petting neighbourhood cats is safe or if microwaving my mail is something I should be doing.

Sometimes I’m tempted to cope with this overwhelming situation by imagining my quarantine as noble, like Eyam’s, with myself and my friends as protagonist survivors covered in glory at the end. As if there will be a happy ending to this struggle, as if there could be winners. But a pandemic is only tragedy. Eyam knows this, with its solemn plaques on the sides of houses, remembering heroism by listing the names of the dead. We remember because without them, who knows how many more mass graves could have been buried across England. I wonder, in a year, if their sacrifice will still seem uncommon.

Why you shouldn’t say “You don’t LOOK sick!” to someone with ME/CFS


Tomorrow, Friday 12th May 2017, is International Awareness Day for Myalgic Encephalomyelitis and Chronic Fatigue Syndrome. For more information about ME/CFS, see the links at the bottom of this post.

Photo available from Max Pixel via CC0 license.

If you see a person with myalgic encephalomyelitis or chronic fatigue syndrome, it probably means that they are having a good day. For you to see them (unless you are a very close loved one, carer, or health care professional), they must have been able to leave their bed or sofa today. It might be their one good hour, or even minute.

Seeing them, you might be taken aback to hear that they have a disabling illness, and see no harm in expressing your surprise.

Please, don’t.

Here’s why.

When you remark to a person with ME/CFS that they “don’t look sick”, or tell them that there’s no way to tell that they have a chronic medical condition, or ask them why they have that cane/wheelchair/mobility device/disability pension if they can WALK or SIT UP or THINK, you may be reminding them that:

  • a quarter of us are housebound and for majority of the rest, it takes a huge amount of preparation and planning to venture outside safely. Yet most people we encounter will take being outside for granted and minimise our treasured accomplishment.
  • despite ME and CFS debilitating up to 242,000 Australians, around half of our GPs do not believe we have a ‘real’ illness and think that we possibly are faking symptoms for attention.
  • although we live with a poorer quality of life than patients with cancer, diabetes, and heart disease, most people will rather judge our condition on our looks.
  • there is no cure for ME/CFS, yet the Australian Department of Health has only directly funded three studies into the condition in the past 17 years, and that funding ended in 2005. Most of it went to hepatitis C research, and studies by psychologists (ME/CFS is not a psychological or psychiatric condition).
  • the burden is on us to constantly prove that we are ill and to ‘perform’ disability. This saps energy we don’t have.
  • it often feels like our lives have been stolen from us, permanently, and yet disclosure of our condition is often met with disbelief or suspicion instead of sympathy.
  • the majority of people still believe that disability always ‘looks’ a certain way and may shame or punish us publicly if we do not conform to their preconceived ideas.
  • exertion (such as walking, reading or having a conversation) worsens our symptoms. So, while we may be able to be active in this moment, we may face days, weeks (even months) in severe pain and fatigue to pay for it.
  • we may know the cost of exerting ourselves with this outing and be trying not to think about the physical payback that will come later. We want to enjoy this moment.

If you’re surprised to see a young person with no ‘visible’ disability walking with a cane or standing up from their wheelchair (aren’t mobility aids visible?) – or to hear that a person with no mobility aids is severely ill – ask yourself if it’s more important for you to satiate your momentary curiosity, or for someone with a serious illness to have a nice day.

Curious about ME/CFS? For last year’s ME/CFS Awareness Day, I recorded a short audio documentary giving a run-down of the illness for my podcast Just A SpoonfulYou can listen here.

For more you can listen to my interview with 3CR’s Women On The Line about living with ME/CFS, or this conversation I recorded with fellow writer and ME patient Lefa Singleton Norton. Or read these pieces I have written for Seizure Journal: the satirical How to talk to sick people’, or memoir piece ‘An inconvenience’.

This International Women’s Day, remember our victories.


The other night, at my feminist book club (yes, I am a Portlandia stereotype, what of it), we were discussing Clementine Ford’s Fight Like A Girl. While many of the younger women in the room felt galvanised by Ford’s treatise, the eldest woman in the room – one of the few seniors present – had a strong reaction to the contrary. “It made me feel terrible,” she said. “I have been working on this for so long … And it sounds like my generation achieved nothing.”

The room shifted uncomfortably. So many were new to feminism and shining-eyed, just beginning to laugh at #NotAllMen and shout back at street harassers. Here was a battler from the second wave, still eddying at the shoreline with the rest of us, a reminder that the work of social change is hard and long and cyclical. The gender wage gap has actually grown. Our first woman prime minister was treated to spectacular misogyny by the public, media, and her fellow ministers (chief of whom became her successor and the Minister For Women). In Queensland last week, even an attempt to decriminalise abortion was blocked. We have to keep fighting the same fights over and over.


At home, after book club, I read this quote from Rebecca Solnit’s Hope In The Dark: “We need a litany, a rosary, a sutra, a mantra, a war chant for our victories.” If we forget our successful milestones and focus only on how far we have to go, she urges, we risk despair and the paralysis of inaction. A huge, important part of the feminist project is identifying problems, whether it be measuring the wage gap or giving women the language to describe mansplaining. It’s important but we can’t get amnesia about how much our foremothers achieved. We need to protect ourselves from the inaction of despair.

I, personally, have gorged enough on despair lately. Last year was ridiculous, and it seems like each day of 2017 some new low is being established by the Trump administration. I need to remember how far we’ve come despite current circumstances. This International Women’s Day, I want to chant our victories, like a hopeful, non-murderous version of Arya Stark muttering a list of names to myself.

Since sometimes feminism’s successes can feel distant and intangible, I’m going to focus on just what’s happened in the past twelve months.

In November, I voted for a woman for President of the United States of America. Even her loss to a misogynist, or her flaws as a candidate, can’t erase the power that casting that ballot had for me.

Out of that horrific US election came some positives for women: Kamala Harris, California’s attorney general, became the first Indian-American and the second Black woman ever elected to the Senate; Catherine Cortez Masto became the first Latina elected to the Senate; Tammy Duckworth became the first female senator to have served in a combat zone, and the second Asian-American woman ever elected to the Senate; Stephanie Murphy became the first Vietnamese-American woman to be elected to Congress; Muslim woman and former refugee Ilhan Omar became America’s first Somali-American legislator; and Pramila Jayapal became the first Indian American woman elected to Congress. In her victory speech, she called her victory “a light in the darkness”.

Lemonade happened. Never forget.


Last year, Pakistan passed strong anti-rape laws and finally closed the legal loophole that allowed perpetrators of so-called ‘honour killings’ (the colloquialism for families murdering girls and women who have married someone of their own choosing or some other ‘shameful’ act) to avoid conviction. This progress was largely thanks to Sughra Imam, the former senator who first introduced the bill proposing the new law, and film-maker Sharmeen Obaid Chinoy with her Oscar-nominated documentary A Girl In The River: The Price Of Forgiveness. And Obaid Chinoy’s subject, Saba Qaiser – the girl whose father shot her in the head, put her in a bag and threw her in a river for marrying without his consent. But she survived. Obaid Chinoy said of Qaiser, “she was very open to telling her story because she believed very strongly that she didn’t want anyone else to go through what she had.”

The US Treasury Department announced that Harriet Tubman would replace Andrew Jackson on the $20 bill. Tubman, born into slavery in the 1820s, escaped Maryland and then immediately turned around to go back and free her family. She made around thirteen missions to rescue enslaved families and friends, in the secrecy of night, and was nicknamed ‘Moses’. Andrew Jackson was alive at the same time as Harriet Tubman; he owned hundreds of slaves. He is known for passing a law that forced First Nations Americans off their lands. Tubman’s face will replace his.

On the first day of Donald Trump’s presidency, at least five million people joined a global protest called the Women’s March, with half a million of those people marching in Washington DC. I was one of the 5,000 people marching in Melbourne, and feeling the press of bodies and seeing the signs women had made with their own hands to protest white male supremacy – it blew away the cobwebs of despair for me, for a day.

Remember that, at the Sydney Women’s March, a few Trump supporters paid $4,000 to skywrite “TRUMP” above the protest. Above the 10,000 protesters. They may have money, but we have the numbers.

Nevertheless, she persisted.

Remember our victories; build on them. Stay in solidarity with all other women, that we keep pulling each other forward with each success. Make your reproductive rights language inclusive of trans and non-binary folks; make your protests accessible to disabled people; decolonise your feminism; think beyond what the movement can do for you. What can you do for the movement?

In 2016, for many women, the world moved sharply towards a dystopia. (For many, it was already there.) In 2017, let’s imagine the kind of world we want to march towards. And persist until we get it.


Thank F*ck 2016 Is Over


This year, I have often returned to JK Rowling’s words about failure at dark times in her life: “[It] meant a stripping away of the inessential.”

It felt like a lot of things I valued were stripped away from me this year, and I know that my community has been feeling that on a national and international level, too. Fuck, what a year. But I’m going to silver-lining this shit for a minute so bear with me.

I think the reason dystopian fiction has resonated with me since my teens is that I yearned to punch through the glossy carapace of politeness and routine that seemed to encase screaming unfairness all around me. I wanted permission to fight for my values, to suspend the regular schedule and get down to the work of saving the world. In Tomorrow When The War Began the high school kids go from worrying about what to do after Year 12, to worrying about the survival of their friends and family.

“I stopped pretending to myself that I was anything other than I was and began diverting all my energy into finishing the only work that mattered to me.” – JK Rowling, Harvard Commencement Address, 2008.

When I became disabled, most of my resources were stripped away from me. Money, time, energy, brainpower. I like to think that it has made me leaner and more focused. I got serious about my writing career; now that I couldn’t work a full-time day job in admin “just for a while, just to save some money”, there was no other time for me to start being a writer. My illness keeps mortality right up in my face. I can’t be distracted.

This year, this horrible year, has been like watching my first year of disability happen to a whole community. Everyone feeling gut-punched, in grief, but sure that soon it will go back to normal. And then it doesn’t. And you slowly realise that life is going to be harder from now on.


But – and here’s the questionable silver lining – this is the time to divert all our energy into the work that matters to us. At least we need not fear apathy, because we’re not going to have the opportunity for it. There is plenty of work to do, all of it meaningful.

On the theme of stripping away inessential facades, in 2016 I quietly came out as queer. Not with a bang, but with a “oh btw I’m bi, so, yep.” After a very painful break-up this year, I don’t even know if I’ll date again any time soon, so it felt strangely anti-climactic to come out when I’m single and not looking. But I’ve learned from my wonderful queer friends over the past few years that it isn’t so much about who you are or aren’t ‘doing it’ with, it’s about who you are. And ‘straight’ doesn’t fit comfortably on me. It never did, but when I was younger I didn’t feel ‘queer enough’ to claim queerness. I’m glad to now be in the company of friends who don’t police my identity in that way. It feels good to be able to express my whole self, and shake off the biphobia I experienced in my teens.


2016 has well and truly cracked the carapace that some of us still had around reality. All kinds of hate- and greed-fuelled dangers are spilling out of hiding. But at least there is this: you have been given permission to fight. Banality no longer holds any promise of reward.

We have work to do.


El from Stranger Things grew up to be Elle Woods in Legally Blonde

Posts, Selected Posts

This is a bit of fan fiction I wrote based on my theory that Eleven from Stranger Things (played by Millie Bobby Brown) grows up to be Elle Woods in the 2001 movie Legally Blonde (played by Reese Witherspoon). Spoilers for both (although, c’mon, you’ve had 15 years to watch Legally Blonde, it’s a comedy classic, get on it). 

From the moment Eleven put on that wig, she felt powerful in a way she never had before. The boys’ physicality around her changed: when they stood in a circle, there was a space for her; Dustin and Lucas relaxed, stopped flinching when they caught her in their peripherals. Mike looked at her a lot, but not the way prey watches a hunter. She liked it. The first time the wig came off, she panicked, turning to him. “Still pretty?”

Years later, at Harvard Law, Emmett Richmond would tell her that her blonde hair gave her a power she underestimated, and that he hoped she would channel it to use for good. She smiled a little: here was somebody who had an inkling of what she was. Elle had never been seriously intimidated by the Harvard admissions process – she’d strode through high school and college knowing she could break arms with a tilt of her head. Her self-worth came from knowing that she chose not to harm.

Woods was not her given last name. It was a name she had taken for herself. Woods, for the place where she had found Mike and Lucas and Dustin. It felt like her life had started when she found those boys in the forest. In college, she discovered the joyous support of other women in sorority, but never quite shook off the self-preservation instinct to be amenable to men. It wasn’t physical protection she needed from them – if only they knew what kind of a protector they had in her – but psychic reassurance. Like the Eggos she still ate sometimes when she was nervous, friendly men reminded her of the first time she’d felt safe.

She was glad of her adoptive parents, who gave her a comfortable life and never asked anything of her. They knew nothing of her previous existence in Indiana, except that she was an orphan and had been traumatised. They’d wanted a beautiful daughter and they found that in El (the spelling soon after changed to “Elle” to avoid confusion at her expensive new school in the Valley). It was an easy relationship between them: she was grateful and they were happy to be appreciated. When she expressed her wish to study law, they were surprised, but it never occurred to them to try to stop her. It rarely occurred to people who knew her to try to stop Elle.

Elle surrounded herself with soft, pink things – fluffy pillows, sweet fragrances – and avoided anything that would make her seem intimidating. It took her a long time to work out that she was still trying to prove she wasn’t the monster. Self-care was prime: she carried her service animal Bruiser with her everywhere. Being a survivor is an ongoing act. Elle took good care of herself.

Warner’s betrayal was a turning point. This was the only way Elle could view his sudden break-up with her – as a betrayal – because the first thing she had learned about healthy relationships was that “friends don’t lie”. When Warner brushed her off, Elle’s shock was complete. “So when you said you would always love me, you were just ‘dicking around’??” she shouted. However, still vulnerable to the suggestion that she was the problem, Elle vowed to become worthy of him. She took Warner’s assertion that he needed a “serious” girlfriend seriously, because under the bouncy hair and earnest smile, Elle was always serious.

In some ways, Harvard was like being back in the isolation tank at the Department of Energy. People only cared about what she could do with her mind. It was frightening, that first speech of Professor Stromwell’s, exhorting her class to consider their convictions as life-or-death. Under Elle’s outrage at being ejected from the seminar that day was her fear of once again having responsibility for someone’s life – or death. She hadn’t really considered that aspect of the law. Fashion merchandising had always had safe stakes. But she was much older now and knew who she was.

She was Elle Woods. First named by a boy, last named by herself. A lost kid who became homecoming queen. The girl who came back to life. She had powers no one suspected.

There was more in her valedictorian speech than the rest of the graduating class could have detected. Elle spoke of the unreliability of first impressions, looking down at her friend Vivian. But she was also thinking of her first friends, who had misgendered her and called her “freak” and came to rely on her for survival. At the podium, she encouraged her classmates to step forward into the world with a strong sense of self, something people like Warner took for granted. He rolled his eyes while she spoke and Elle fleetingly thought about dropping an SUV on him. She finished her speech with the conclusion for which she had fought hardest all her life: “You must always have faith in people. And most importantly, you must always have faith in yourself.”

Whether facing down sexual harassers in the courtroom or corrupt politicians on Capitol Hill, Elle was shaken but not afraid. She would say what she always said under her breath when she looked at bullies. “Enough.”

You’re just a body. You can’t be trusted.


Content note: Mentions of sexual assault survivors, but no graphic imagery or descriptions.


This blog post is also available as an audio version through SoundCloud. Click here to listen

I just read a piece by Melissa Gira Grant, titled ‘All Bodies, No Selves’, about a problematic trend in media reporting and policy making that reduces survivors of sexual assault to just bodies, and it resonated with me in regards to disability reporting and policy. It reminded me of why I decided from day one of planning my podcast that I would only invite people with chronic illnesses and disabilities on as guests.

Grant comments that people who write about gender/sex/sexuality politics from within their own experience are often expected to do no more than present a compelling personal narrative. She says:

If you have something political to say about gender or sexuality, you will be expected to voice it through what your body is and what it has done, what has been done to it.

Media interviews expect little more than a “peep show”, Grant says, requiring you to create value with disclosure after disclosure. I had an experience like this in a recent radio interview, for which I had been invited to comment on the government’s drive to push people aged under 35 off the Disability Support Pension. I had expected that I was invited in my capacity as an advocate, given that I had written about this subject and hosted a podcast about young people with disabilities. However, when the radio host turned the discussion to me, her voice became sad and she adopted a funereal air as she introduced me. For, you see, I am young, and … d i s a b l e d. I had a dozen statistics and facts that I kept trying to bring to the conversation about government welfare policy, but the host talked over me, asking instead for me to disclose the sorts of cruel things people say about my disability.

I was taken aback because – maybe thanks to my white cishet privilege and the fact that usually people can’t see my disability so assume I am able-bodied – I had presumed that they wanted my opinions. It surely helped that my opinions were informed by personal experience as well as professional work, but I was just happy that the mainstream media was inviting a young disabled person to comment on policies specific to young disabled people. The commentator the show had had on before me was an older man from a disability advocacy body. (He wasn’t asked what mean things people say about him.) I didn’t realise that my status as someone possessing a chronically ill body was the only thing they were interested in.

In ‘All Bodies, No Selves’, Grant wrote this passage about sexual assault survivors that could easily be about people with disabilities (two groups which as a Venn diagram would be nearly circular):

Be a good poster girl. Get vulnerable enough for someone to step in with the right story, the perfect #hashtag, the slightly more powerful person to carry your cause for you. (You’re just a body. You can’t be trusted.)

This reads to me as a perfect account of inspiration porn.

Some of this was in my mind when I began planning my podcast Just A Spoonful, back in mid-2014. I liked the idea of a disability-only space, where able-bodied people’s voices were denied access. Not out of a grudge – but to pound out a level playing field for us. Each episode I have a guest with a disability. Everyone on my podcast has a disability. So there’s no opportunity for novelty – you already know that they’re disabled or living with some chronic illness, because otherwise they wouldn’t be there. What this also means, is that nobody has to be the poster child for disability or for their particular condition. I’ve had three episodes where my guest had bipolar disorder, and none of their stories are the same.

I tell each guest when I invite them onto the show: we don’t need to talk about your condition, your impairment, your illness, your disability. The fact of it is already there, baked into the show’s premise. There’s no need for you to relive your diagnosis story, or talk about “what it’s like” if you don’t want to. You’re here because I want to know about you, because I wanna pick your brain. Your band, your clothing store, your sustainability advocacy, your pet kitten – like, that’s why I invited you. (More guests with kittens, please.)

That being said, an incredible amount of guests choose to talk to me about their conditions. After all (and this is kinda the point of the podcast), our bodies are huge part of our lives. They’re sort of vital to everything we do. But they’re not the whole experience. Too often, the wider population gets stuck at the ‘body’ part of people with disabilities. Nobody talks to us because we’re just bodies. That’s how The Australian can run a piece about the closure of a residential institution in NSW in which the journalist visits the building, profiles some of the residents, and only includes quotes from their family or advocates. I actually spoke to that piece’s author, Rick Morton, via public tweets, and he offered that,

In this case I wanted to tell the story of one resident who moved from Westmead. He is non-verbal. But I should have tried harder.

I have a really wide network of people with disabilities who I call frequently, to orient my reporting from their perspective.

I understand Morton’s bind in wanting to present the most compelling story but also report respectfully. I do not think he accomplished his goal in this case. Martin Ryan, the 54-year-old man Morton was profiling, was presented as merely a body that was tended to and spoken for. Ryan’s 84-year-old mother (not a resident) was interviewed about what the closure of the institution meant to her, and NSW Disability Services Minister John Ajaka was quoted describing disabled people picking out their own linen and paint schemes. Yet group home residents themselves were still absent, a silent group being shuffled from one building to another.

I can’t help wondering, why couldn’t the journalist covering that story, any disability story, be someone with disabilities. If you don’t have someone in your network who has a disability and is appropriately qualified, why not train someone up? People with disabilities are more than capable, and a very diverse community. A bunch of us are writers, freelancers, and if we lack the commensurate professional experience of our able-bodied peers, it’s probably because we either can’t physically manage full-time work or because workplaces are structurally inaccessible to us. These are not huge obstacles to getting more disabled voices out there. Got a story about the NDIS? Put someone with lived experience on that beat. Then you’re less likely to get subpar reporting that forgets to interview any of the people directly affected.

As Grant asks in her piece, who actually benefits from reducing people to tragic circumstances? We hear a tragiporn story about a 29-year-old who has to stay in bed all day. We hear about her diagnosis, her illness, everything about her life that we hope won’t happen to us. Then, to quote Grant, we

take from it a gush of feeling, and then move on. We’ve consumed. Now that we’re done with it, we can put the body back in its place.



Women with ME/CFS on the line


Amid the hectic scramble to get the new Just A Spoonful episode out this week, plus other deadlines, I forgot to tell anyone that I did a radio interview with Melbourne’s 3CR last week! But I did, and it was a thought-provoking (for me) chat with Amy Middleton, host of Women On The Line and editor of Archer magazine. Here’s the link, or you can listen below:

I’ve listened back to it and lawd, I was so fatigued that day. Battling through some epic brain fog.

We talked about women and chronic illness, specifically myalgic encephalomyelitis/chronic fatigue syndrome (and I go into why the name of this particular illness is confusing and significant). We had time to go beyond talking about “what it’s like” living with ME/CFS and to get into the difficulties accessing a diagnosis, let alone treatment.

Amy asked for my thoughts on the overrepresentation of women in ME/CFS (more women are diagnosed with it than men), and while my answer was mostly speculation, it has sparked an interest in me to look deeper into this statistical anomaly. Could ME/CFS’s lack of funding be linked to its overwhelmingly female patients? Sounds a bit conspiracy-theory, but who knows. The more I learn about gender bias in medicine, the more alarmed I become.

Anyway, I really enjoyed the interview, and I hope you will too! If you’d like to read some of my writing about ME/CFS, here’s my Seizure piece from last year, ‘How To Talk To Sick People’, which I recently read aloud to an audience for the first time and oh my god, so snarky.

To be frank

Posts, Selected Posts

If you’ve been following me on Twitter or listening to my podcast, you have probably gleaned that I’ve been having a severely rough time for the past few months. As I mention often, I live with ME/CFS (Myalgic Encephalomyelitis/Chronic Fatigue Syndrome), which is difficult at the best of times, and over the past 18 months it has been steadily getting worse. It means I can’t do things as perfectly as I would like, for example finishing The Other Movie Project with 12 shiny monthly instalments sitting in my archives. Instead, the blog posts kind of tapered away while my health got worse. This annoys me. This annoys me a lot.

I like to do things well. No – I need to do things well. It’s a personality trait that gets me good things and also bad things. The same people who tell me to take it easy on myself are also the ones usually telling me how “naturally good” I am at something. “You’re just a natural!” It sets my teeth on edge: I’m good at stuff because of how hard I’ve worked at it. If I stop putting pressure on myself, surely the praise will stop, too.

This is a thing I am working on within myself. I’m trying to do everything at 80% instead of my usual 120%. I would tattoo “TAKE IT EASY” on my forearm if that wasn’t a rather extreme tactic and a bit counterintuitive.

As a chronically ill person, I’ve had to adjust my personal standards, to be pleased that I managed to take a shower today instead of taking that as a given. I still get frustrated, comparing where I’m at now with the ideal, healthy life I thought I’d be living. When I became disabled it felt like I was transitioning out of “the world” and into “sick person land”. It still feels that way sometimes, but now I try to lean into it.

Actually, I still live in the world.

I’m telling you all this so you’ll understand what this means to me:


In the new Frankie magazine that came out on Monday, they feature me in a showcase of young creatives doing interesting things in 2016. I did the photo shoot and interview for the Frankie feature when I was at one of my very lowest points, physically and mentally. The acknowledgement of my career and my work gave me a huge lift. And I wasn’t being singled out as a “disabled person to watch” or even a “woman to watch” (which is always nice but kind of feels back-handed) – I was recognised just for being creative. For what I do!

Look what sick people can do!

We do things!

Flipping through the magazine, or being on ABC Radio lately, I’ve been having moments I wish I could send back to my teenaged self while she grappled with her new diagnosis. She’s hoping that she’ll be a writer and be in magazines and talk on the radio one day, and she can’t see a way to doing any of that while she has ME/CFS. She’s desperate for the illness to go away forever. I daydream about going back in time and telling her it won’t, it will come back and stay, her worst fear will come true. I’d also tell her that while she is disabled by illness, she will: perform poetry at the Sydney Theatre Company; be invited to teach workshops at a university (she’s a real nerd, she’ll love that); see her writing published in a book; be interviewed on triple j (she’s 16 and triple j is everything, this will freak her out); get PAID to tell jokes; and do a photo shoot for a fashion magazine. And sometimes these cool fun things will coincide with the absolute worst dips in her health, or will even happen because she’s sick.

But she probably wouldn’t believe me tbh.

July: Trainwreck

Posts, The Other Movie Project

Welcome! This is The Other Movie Project, a blog series where I watch movies released near me that are not about white men. I’ve been doing this since January 2015, and movie review website A Good Movie To Watch published my summary of my experience so far (you can read it here). Now, let’s see what movies were released in July that were about anyone, literally anyone other than a white guy.

1. Trainwreck

When my partner and I bumbled into our local cinema looking for Trainwreck tickets, we were annoyed/thrilled to find the session completely sold out and a line out the door. This was a great day for women in comedy! And an irritating 20-minute drive for us to a different cinema! But the fact that a rom-com written by a woman based on her own life was selling out theatres couldn’t take the sting out of the poster we saw that had no mention of Amy Schumer’s name. The poster said, instead, “TRAINWRECK: FROM THE GUY WHO BROUGHT YOU BRIDESMAIDS”. Fuck you, poster. You might as well have said, “TRAINWRECK: REMEMBER THAT OTHER COMEDY ABOUT WOMEN YOU ACTUALLY LIKED? DON’T WORRY A MAN IS BEHIND THIS!” They didn’t even say “Judd Apatow”, which would have capitalised on his name recognition. Just, “the guy”.

Okay, so, infuriating advertisement of a comedy by one of the most popular comedians of the moment aside, how was Amy Schumer’s debut feature film? It was good. Flashes of brilliance in an unremarkable setting, like a diamond set in tin. If you’re expecting Trainwreck to subvert the rom-com genre (based on Schumer’s genius skewering of tropes on her Comedy Central show Inside Amy Schumer), you might be disappointed. Trainwreck is less of a subversion and more of a disruption; it’s the rom-com we could have been having all these years if rom-coms weren’t so awful.


Yes, please, go away.

Meg Watson at Junkee wrote a great article called Trainwreck May Not Be A Feminist Masterpiece – But In A Rom-Com This Good, Does That Matter?’ and you know what, it’s so good, I think you should go read it now. Like, actually click out of this blog and go read Meg’s article. I’ll wait.

Welcome back!

I do disagree with Meg on one point: Schumer’s love interest (Bill Hader) does tell her that he cares about how many guys she has slept with. I think he explicitly says to her face, “I am bothered by how many guys you have slept with.” He tells her that he doesn’t “feel safe”, but that is never expanded on. Is he worried about STDs? That she’ll cheat on him? They never have that conversation and it seemed like a disappointing slide into slut-shaming by a writer who is supposedly sex-positive.

But Schumer brings so much heart to this film – and lacerating wit – that it lands well. Her relationship with Bill Hader’s character is refreshingly sweet and based on them actually getting along. I enjoyed this take on the rom-com format where the couple gets together because they like each other, and not in spite of mutual antagonism. The conflict comes when their relationship is tested by circumstance: Amy suffers a personal loss, she is worried she’s about to lose her job, and Hader’s sports doctor is under pressure from his mounting profile. It’s so much more enjoyable than the usual “they are secretly working for each other’s enemies” or whatever trope usually props up the romantic tension, because the stakes feel more real. There you can sense the hand of Apatow – a belief that stories about regular (albeit white and privileged) people can be interesting, too.

Trainwreck is a lot of fun and surprisingly sweet. I hope more romantic comedies turn out like this one.

Oh, and LeBron James is so fucking fantastic in this film. It isn’t even fair. He’s the best at basketball and can do comedy acting? Stahp.

Other movies released near me in July that were NOT about white men:

(The ones I didn’t have time to watch)

2. Madam Bovary

3. Amy


Number of movies released near me in July that WERE about white men:


That’s more than twice the number of films about women.

Aaaand not one film about a person of colour.


A note about the film Stonewall

In February, we saw Selma hit cinemasthe first theatrical movie to feature Martin Luther King Jr as a main character, and a film about “the political and emotional peak of the modern civil rights movement“. This year we are also getting a theatrical film about the Stonewall Riots, “the pivotal LGBT+ equal rights event”. Stonewall is about the activists who started the riots and are credited with kicking off the Pride movement. According to history, key figures in these riots were two transgender women of colour, Marsha P Johnson and Sylvia Rivera. God, I would love to see a movie about this story. But I can’t watch Stonewall for The Other Movie Project. Why? Stonewall is about a white man.

Diogo, a reader of The Other Movie Project, brought to my attention American transwomyn of colour Pat Cordova-Goff, who is calling for a boycott of Stonewall. The petition says:

History classes throughout our nation have built a reputation of instructing young generations that white, straight, cis folks are the saviors and founders of this land. Wrong.


Do not support a film that erases our history. Do not watch Stonewall.

Erasure matters, and can have violent consequences. When we only or mainly see white people/men/cisgender people playing significant roles in our historical narratives, it justifies the further marginalising of people of colour, women and transgender people. It reinforces the idea that non-white-men don’t matter, or don’t matter as much.

I’m disappointed that Stonewall doesn’t qualify for The Other Movie Project. I’m disappointed that we could have had a big-budget film about two real-life incredible trans women of colour and instead got another offering about a fictional white cis male. This seems especially dopey considering we are living at a time when the transgender community is becoming more visible than ever, particularly thanks to two real-life incredible trans women of colour, Laverne Cox and Janet Mock.

Okay, I’ve had my say about it, but since I am a cisgender white woman I suggest you don’t listen to me about this but go and click on all the links in this section. 🙂