We can be heroes

Transports of Delight

Transports of Delight

I remember thinking, I don’t want to sit near them. They stink of cigarettes and stale clothing. I move further up the bus, perching on a seat high up the back. I can see the only other passengers riding with me today: those two down the front (the smokers) and an elderly woman sitting in front of me. I settle in for the bus ride, gazing out the window, no more thought for my fellow commuters.

A lazy fifteen minutes later, my attention is jerked back into the present when someone in the bus starts yelling. At first, I can’t tell who it is; I can only see the backs of heads. Then one of the stinky people – a man in a dirty grey shirt – shifts as he yells, belligerent, moving his chin up and down. I’m not sure who the target of his abuse is … Until I notice the soft whines coming in response to the man’s abuse. They’re coming from the person sitting next to him. I almost didn’t notice her – I think because she wants it that way. She is a big girl but she is hunched right down in her seat, head down, bowed before the the filthy stream of language the man is spewing at her. I catch some of what he’s saying to her:

“You’re a dumb bitch. You’re a dumb bitch. You’re a dumb bitch. It’s women like you – no, it’s women like you – who fark it up for everyone … MAKE THE CALL. MAKE THE CALL … So he raped you, so make the call. You’re so farking stupid. What about my daughter, eh? What about that? You don’t think. Dumb bitch.”

The girl rises in her seat and scuttles away from him, into a seat across the aisle. He meets this show of defiance with sarcastic laughter. “Oh, oh! And where are you going?” She makes another whining sound, which he brays over.

My fingernails are digging into my palms. I feel the flush rising up the back of my neck. This is one of those moments that will pass, and later I’ll think, “I should have done something”. I rise up, out of my seat. Take a couple steps towards the front of the bus. I don’t know what’s going to happen when I get there, but my temper is up and that is such a rarity that I’m curious. What could I do? Could I step in? Maybe we can be heroes … (Okay, I need to stop repeat-listening to Bowie.)

What actually happens when I reach the back of Dirty Grey Shirt’s seat, is that the bus pulls into its final stop. The doors open next to me, and I automatically turn to exit. I don’t know, if we had pulled into the stop a few minutes later, would I have found my voice? Would I have done something heroic? I strode down the busway, thinking, Coward.

Dirty Grey Shirt exits the bus behind me, still bawling out his girlfriend. I walk faster, teeth clenched, and head for the lift. I don’t want to listen to another second of it. But as the lift arrives, I get in and turn around. And there they are: Dirty Grey Shirt and his battered looking girl, shuffling into the lift behind me. I hesitate, aware that I am now trapping myself in a small metal box with them. But something says, this must be faced.

It’s just the three of us in the lift: the girl is cowering in a corner, and Dirty Grey Shirt is eyeing me (well, slightly south of my face). He moves his bulk (beer gut and all) into my space, intimidating. I hold up the flat of my hand and say, “You need to back up right now.” He dances back a little, bulk wobbling, still murmuring in what he evidently believes to be a charming tone.

“You’re not a movie star, are you,” he says to me.

“No,” I grind out.

“Yeah. You don’t look like one.”

I bite back any response. Won’t do to provoke him when we’re in such close quarters. Grey Shirt keeps trying to pull me into a conversation, but I look over at the girl. She meets my eyes from under that mess of black hair and shapeless beanie, and for a moment we just stare at each other. I can’t remember ever seeing such naked despair, so close to me. Not just the misery, but the hopelessness. I have an impulse to put an arm around her shoulder and lead her gently away. But something tells me she wouldn’t accept it.

As the lift doors open, Dirty Grey Shirt grunts a reprimand at me, “Well fark, thanks for being so farking friendly.” And I let my temper snap.

I turn on him. “I don’t appreciate hearing you–” finger jab “calling her horrible names on the bus and speaking to her that way.” Jab, jab. “Treat her a bit better!” I shout that last bit at his back as he shambles away, unperturbed. Other people on the concourse look embarrassed. (My protest looks pretty lame when written down in text, and let’s face it, was probably pretty lame when I said it.) The girl has skittered away in front of Dirty Grey Shirt, clearly wishing to avoid a scene. As if there would be a scene. Even my rage-fueled diatribe was polite and carefully worded. I can’t believe that, in moments of righteous anger, I still lapse into the same patterns of speech I used when working in childcare. Starting with how I feel, using specific examples of inappropriate behaviour, and delivering a positive directive for improvement. Sheesh.

I can tell you, in my head I was using all sorts of foul language on him. In my head, I was giving him the serve of a lifetime. But it occured to me that he’s used to that; swear words have lost currency with him. I’d hoped that a relatively polite dressing-down might get through to him. But it obviously didn’t. The despair that I saw in that girl’s eyes – I don’t know how to touch that. If any of what Grey Shirt was ranting about was true, then she’s going through hell. I wanted to be a hero, but I didn’t know how to save her.

I hope she’s okay.

Women. Am I right?

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“This is a real phenomenon: When women feel like outsiders, they lose interest.”

I read the above quote in an article today, and it struck me dead. In the article, a science student writes about gender bias in the scientific professions, and even though I don’t know my boron from my bunsen burner, I found myself strongly relating to it.

See, the thing is, on Wednesday night I had my first go at stand-up comedy. I entered myself in RAW Comedy, where beginner comedians can compete for a spot in the Melbourne International Comedy Festival. I had never set foot onstage at a stand-up gig before, and I don’t mind telling you I was petrified. I had a lively group of friends around me, chattering and laughing and telling me I was going to be fabulous, but every now and then I would just go blank with hot white terror.

Part of my terror came, I think, from the fact that I was one of only four women competing on the night. The other 11 were, as you might imagine, men. That in itself wouldn’t have been that intimidating. After all, I’ve been performing at poetry slams and readings for years now, which are still heavily male-dominated. That wasn’t the issue. It was what the men were saying. Joke after joke about violence against women. Seriously. One guy’s punch line was actually – and I quote – “Wouldn’t it be great to know you fucked a woman to death?” Then he talked about going to her funeral and gloating, saying, “Let that be a lesson to all you other ladies”.

Yes. Let that be a lesson to us. In case we ever forget, we aren’t safe here. Comedy is not a safe space – for anyone, I suppose, but especially for women. One male comedian spent his five minutes extolling his disgust at Julia Gillard, saying she had a penis and she couldn’t arouse the most desperate of men and so on and so on. Textbook misogyny: “a-woman-can’t-be-in-power-without-losing-her-femaleness” with a dash of “if-she-can’t-get-me-off-what’s-the-point-of-her”. Not a word, of course, about her actions as Prime Minister. Another man raged against his ex-wife, calling her a “crazy bitch” at least six times before I tuned out. One young, harmless looking guy, who looked like someone your brother might play Call of Duty with, thanked all the women in the audience for setting their Facebook profiles to ‘public’ so that he could masturbate to them.

I am truly baffled when I see male comedians make demeaning jokes about women, and then chuckle: “Ha ha, all the women in the room hate me right now”. All the women in the room – that’s fifty per cent of your audience, buddy! Too many amateur comedians seem to forget that alienating women means alienating half your potential ticket-paying customers. That comedy isn’t just for the benefit of other men.

By the time it was my turn to perform next, I was feeling sick to the stomach. I waited by the sinks in the ladies’ room, staring up at the posters of upcoming comedy tours. Rows and rows of male faces grinned down at me. I smoothed down my hair, eyeing my outfit. Before I left the house that night, I had pulled a ribbon out of my hair, not wanting the audience to be distracted by my gender. Already, I was “gender priming”, having been told for years that female comedians “just aren’t as funny”.

“Even in areas where actual performance is equal, when a certain group is reminded that they are supposed to be bad at something, their performance weakens.” (S. Wofford, Feminspire)

But I did it. I told some jokes. At the end of my set, I sat down with my friends, shaking like a flippin’ leaf. I had survived. I had even gotten some laughs. I put my head down on the sticky table and tried not to gasp for air. I know public speaking is meant to be scary, but it had never really scared me up until this point. Comedy is such a different beast. You can lose the crowd so quickly. And then you’re dead.

Later that night, after seeing off my friends and dragging myself home, I felt empty. Like all the humour had been sucked out of me. My five minutes up there hadn’t been too bad, I thought, but the other comedians’ various attacks on women had shaken me. I comforted myself that the crowd had liked those jokes as little as I did, with most people shifting uncomfortably in their seats or sitting in stony silence. At least the misogyny wasn’t being openly encouraged. But I wondered. After years of going to comedy nights, I can say that jokes at the expense of women are incredibly common. They’re often aggressive and sometimes violent. Why do these comedians still think these jokes would be an awesome idea?

I found myself thinking, are these the people I want to work alongside? Is this an industry I want to join? If I’m going to have to spend years feeling like a second-class citizen, why would I bother? And then today, I found clarity, staring at me out of that science student’s article. I felt like an outsider, therefore I was losing interest. I was already thinking of opting out of my lifelong dream (my mother says that as an eight-year-old I solemnly informed her, “I want to be a stand-up comedian”) because of some dickheads with microphones. Seems to me that comedy is so male-dominated not because women aren’t as interested in comedy. Rather, I think a lot of women listen to the sexist jokes and see the other female comedians putting themselves down to get laughs, and think, “Fuck this noise”.

Well, I won’t be so easily discouraged. If I cancelled my dreams every time some idiot made me feel inferior for being a girl, I’d never have gone anywhere or done anything. I’m gonna have crack at this comedy thing. And whether I keep working at it or decide it’s not for me, I hope my decision will be based on factors other than my gender.

A poem for Kanye

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A couple of weeks ago, I was passing through Perth on some interstate travels, and a friend invited me to perform at a poetry night in Freo. I said yes! Thanks! Woo hoo! But then I began to worry: I hadn’t written too many new performance pieces since last time I was in Perth, and this crowd was likely to have heard my stuff before. The last thing you want is an audience rolling their eyes and going, “Not this one again. NEXT.”

So, I scrabbled around for some new stuff I’d written in Brisbane. One was something I wrote for my Dad for his sixtieth birthday, mainly filled with insider references that only my family would get. But I put it in my back pocket. Another was a sort of cutesy, plaintive poem about my posterior, because why not. And I decided to do The Editor’s Rap, even though it’s an oldie, because hell, it’s fun to do. But I still needed another piece, so I decided to write one.

I wrote a poem to Kanye West. Kind of a rap. More like an open letter to Yeezy. I love his music – big fan – but he gets away with saying some pretty messed-up shit about women. It was time for right of reply.

Kanye West, probably yelling about a woman.

I was particularly replying to the track ‘Devil In A New Dress‘ (from My Beautiful Dark Twisted Fantasy, 2010), and this idea of a woman being dangerous and devil-like because she “has” the “power” to arouse a man. (MEN! Quit getting mad at girls because they gave you “the feelings”. You are the masters of your destiny, the captains of your junk! I believe in you!)

So, this one’s for you, Yeezy.

So you say I’m the devil in a new dress?

Aw, you bet.

All the cash I spent just to make your pants tent.

All the cash I spent, could’ve used on my rent.

All the dress I bought so you’d know what I meant.

What I meant.

Dancin’ in my “root suit”. Riot

coz my dress says yes but I say no

and you don’t buy it.

You won’t listen

unless it’s said with fabric and stitchin’.

Couldn’t attract you by accident,

must’ve been my intention.

Little did I know, tonight, when I was getting all dressed up,

the same hand that sewed this dress was sewing

my mouth shut.

Couldn’t’ve dressed like this because it felt good, NO.

Couldn’t’ve dressed like this because it’s comfy, NO.

Couldn’t’ve dress like this for no reason, NO.

Or coz the shops all have the same damn styles every season … (Am I right, girls?)

Couldn’t attract you by accident –

this is what my dress meant –

must’ve been a plan to torture you by Satan.

Satan, Satan, Satan.

Yeah, must’ve been Satan.

Uh, go and tell it on the mountain, son,

or go and tell Kim Kardashian.

Don’t need to guess what my dress says –

this’ll help you stress less –

focus on my lips and wait ’til I say “yes”.

Don’t need to guess what my dress says –

this’ll help you stress less –

come and make a deal with the “devil in a new dress”.

Big thanks to Perth’s poetry paparazzi, Jamie MacQueen, for recording and posting the video of that performance, embedded at the top there.

Photo of Kanye West from Flickr.